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A Journal of Black Film, Television & New Media Culture

Volume 1 • Number 1 • Fall/Winter 2005

About Screening Noir

The editorial board dedicates Screening Noir to critical and scholarly exchanges on all aspects of film, video, digital and new information technologies.  Specifically, the journal focuses attention on these representational media in terms of their relevance to and impact on African and African diasporic culture. Screening Noir is a refereed journal, reflecting the wide-ranging interests of the editorial collective and contributors. The editors are interested in publishing thoughtful writings pertaining to blacks and visual culture, whether scholarly, popular, critical, comparative or celebratory. Screening Noir is equally interested in African as well as African diasporic visual culture productions. The editors encourage you to write for Screening Noir

Screening Noir (ISSN 1557-3109) is published biannually through the Center for Black Studies and the Department of Film Studies at the University of California, Santa Barbara, and in cooperation with the African, African American Caucus of the Society for Cinema and Media Studies.  Screening Noir is funded in part by a grant from the College of Letters and Science, University of California, Santa Barbara.