Greg Siegel researches and teaches in media history and theory, science and technology studies, critical and cultural theory, and sound studies. He is the author of Forensic Media: Reconstructing Accidents in Accelerated Modernity (Duke University Press, 2014). His essays have appeared in Cabinet, Communication and Critical/Cultural Studies, Discourse, Grey Room, Rethinking Disney: Private Control, Public Dimensions (Wesleyan UP), and Television: The Critical View, 7th ed. (Oxford UP). He is currently writing a book on the theory and cultural history of strange, unexplained sounds.