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Past Events › Colloquium

February 2023

Beijing Olympiad: First Time as Mass Spectacle, Second Time as Digital Ornament – Cassandra Xin Guan, The MIT Center for Art, Science & Technology

Wednesday, February 15, 2023 @ 10:30 am - 12:30 pm

The opening ceremony of the 2008 Beijing Olympics was notable for its spectacular deployment of the mass human ornament. In 2022, a second Olympic opening ceremony took place amidst a global pandemic and rising geopolitical tension between China and the US. This time around​ the hot and noisy masses that thrilled American television viewers with their coordinated precision have vanished from the scene of representation. In documentations of the two events: one hot, one cold; one crowded, one empty; one…

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March 2023

Taiwan New Cinema at Film Festivals – Beth Tsai, Visiting Assistant Professor, EALCS, UCSB

Wednesday, March 8, 2023 @ 3:30 pm - 5:00 pm
2135 SSMS Building, SSMS Building
Santa Barbara, CA 93106-4010 United States
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Beth Tsai

Taiwan New Cinema (first wave, 1982–1989; second wave, 1990 onward) has its unique history regarding film festivals, particularly in the way that these films are circulated in major European film festivals. On one hand, Taiwan New Cinema shares a common formalist concern about cinematic modernism with its Western counterparts, departing from previous modes of filmmaking that were preoccupied with nostalgically romanticizing China’s image. On the other hand, Taiwan New Cinema represents a struggling configuration of the "nation," brought forth by…

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April 2023

A Tale of Three Brothers: Ezra, Me’ir, and Hayyawi Sawda’i and a History of Cinema in Iraq – Pelle Valentin Olsen, University of Oslo, Norway

Wednesday, April 5, 2023 @ 3:30 pm - 5:00 pm
2135 SSMS Building, SSMS Building
Santa Barbara, CA 93106-4010 United States
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Pelle Valentin Olsen

This talk investigates the historical entanglement of capital, culture, and leisure by mapping the local Iraqi capitalist and entrepreneurial elites, many of whom were upper-class Iraqi Jews with international outlooks, who invested in exhibition and production technology. In the 1930s, 1940s, and 1950s, the Iraqi Jewish Sawda’i family pioneered the construction of cinemas, import of films, and established Iraq’s first film studio, Studio Baghdad. Examining the history of Iraqi cinema and film production and distribution through the Sawda’i family brings…

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AGENTS OF ISHQ and the Radical Possibilities of Love – Paromita Vohra, Freelance Media Artist and Writer based in Mumbai

Wednesday, April 26, 2023 @ 3:30 pm - 5:00 pm
2135 SSMS Building, SSMS Building
Santa Barbara, CA 93106-4010 United States
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Garden of Pleasure

A presentation about the experience of co-creating a digital space about sex and desire in India.   Paromita Vohra is a media artist and writer who works with a range of forms, including film, comics, digital media, installation art, and writing, to explore themes of feminism, desire, urban life and popular culture. Her films as director include the documentaries Partners in Crime (to be screened on April 27, 7 pm, Pollock Theater), Unlimited Girls, Q2P, and Morality TV and the…

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May 2023

RFG Talk: Color: Additions, Subtractions, Signals – RICARDO CEDEÑO MONTAÑA Universidad de Antioquia, Colombia

Wednesday, May 10, 2023 @ 3:30 pm - 5:00 pm
2135 SSMS Building, SSMS Building
Santa Barbara, CA 93106-4010 United States
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Color: Additions, Subtractions, Signals

In this presentation, Ricardo Cedeño Montaña will describe some of the particular principles, mechanisms, and techniques by which color film functioned in its formative years and the coding schemes for (re)producing, storing, and transmitting color information in electronic and digital media. Using a media archaeological approach to technical media, Cedeño Montaña will show that color in technical media is anything but stable and such instability implies different contexts of sensory data processing and storage. Dr. Ricardo Cedeño Montaña is professor,…

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November 2023

Grappling with Abandonment: OnlyFans and the Libidinal Economies of Pro Wrestling – Dewitt King (UC Irvine)

Wednesday, November 8, 2023 @ 3:00 pm - 5:00 pm
2135 SSMS Building, SSMS Building
Santa Barbara, CA 93106-4010 United States
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On April 15, 2020, World Wrestling Entertainment (WWE) released 19 wrestlers (and furloughed approximately 25 employees) just days after being designated an essential business by the state of Florida. While this designation allowed the WWE to continue to produce live televised shows and PPVS during the COVID-19 shutdown, these firings were only the beginning as they continued to release wrestlers on regular intervals until the summer of 2022. Following the story of a Black male wrestler who was released but…

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The Bars Are Ours and the Visual Culture of Gay Bars in America, 1960 and After – Lucas Hilderbrand (Film & Media Studies, UC Irvine)

Tuesday, November 28, 2023 @ 2:00 pm - 3:30 pm
2135 SSMS Building, SSMS Building
Santa Barbara, CA 93106-4010 United States
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Lucas Hilderbrand is Professor and Chair of Film and Media Studies at the University of California, Irvine. He is the author of the books The Bars Are Ours: Histories and Cultures of Gay Bars in America, 1960 and After; Paris is Burning: A Queer Film Classic; and Inherent Vice: Bootleg Histories of Videotape and Copyright. Gay bars have operated as the most visible institutions of the LGBTQ+ public life in the United States for the better part of a century, from before gay…

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December 2023

African Media Arts Series [#1]: Q&A with Baloji preceded by a showing of Zombies (Baloji, 2019, 15 mins) on Zoom

Wednesday, December 13, 2023 @ 10:00 am - 11:00 am
zombies

We have invited the filmmaker and musician Baloji to discuss Zombies (2019, 15 mins), which will be shown at the beginning of our 1 hour long event. The conveners will introduce the filmmaker, the film will then be made accessible through a link in the chat, and a discussion will be convened. The co-conveners will begin with a series of questions and open the floor to participants to ask further questions. This event will be recorded and some of the…

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January 2024

Arabic Glitch Book Launch

Wednesday, January 31, 2024 @ 5:00 pm - 7:00 pm
HSSB 6020, Interdisciplinary Humanities Center, UCSB
Santa Barbara, CA 93106-4010 United States
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Download Poster Discussants: George Legrady (Media Arts and Technology) Constance Penley (Film and Media Studies) Sherene Seikaly (History) Description: The concept of Arabic Glitch challenges the once dominant narratives about the relationship between technology and political agency that center Silicon Valley, as well as the study of digital art (specifically glitch art), the study of online social movements, and area studies of the Arabic-speaking Middle East and North Africa. It instigates interventions by demonstrating that twenty-first century resistance movements are…

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February 2024

African Media Arts Series: Certain Winds from the South: Short Film and Q&A with Eric Gyamfi (Accra, Ghana)

Monday, February 26, 2024 @ 10:00 am - 11:30 am
African Media Arts Series: Certain Winds from the South: Short Film and Q&A with Eric Gyamfi (Accra, Ghana)

Certain Winds from the South (dir. Eric Gyamfi, 2023, 40 mins) will be presented as part of the African Media Arts series convened by kwabena agyare (History), Francis Yeboah (Film and Media Studies), and Peter Bloom (Film and Media Studies). The screening will be followed by a Q&A with the filmmaker, Eric Gyamfi, who will join us from Accra. The film focuses on the decision of Issah to embark on a journey to the South of Ghana in search of…

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