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January 2022

The Image of Disaster: Image-Events, Spaces of Suffering, and the Anthropo(S)cene – Adrian Ivakhiv – University of Vermont’s Rubenstein School of Environment and Natural Resources

Wednesday, January 26, 2022 @ 3:30 pm - 5:00 pm

This talk takes its impetus from two trends unfolding around us: the ongoing “digitalization” of everyday life, as digital images, media, and data systems become increasingly intertwined with the management of human lives, desires, identities, and governance systems; and the growing recognition of an impending climate emergency, wherein ever larger populations of humans (and nonhumans) become subject to the instabilities brought about by climatic and ecological destabilization. What, if anything, might a linked analysis of these two trends contribute to…

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“Sly As A Fox: Twentieth Century-Fox, Corporate Diplomacy, and Racial Strife on the African Continent” – Ross Melnick (UC Santa Barbara)

Thursday, January 27, 2022 @ 2:00 pm - 3:30 pm
Hollywood Embassies

Ross Melnick (UC Santa Barbara) Thursday, January 27, 2:00-3:30 pm PT Zoom Link: https://brandeis.zoom.us/j/93467786764. Beginning in the 1920s, audiences around the globe were seduced not only by Hollywood films but also by lavish movie theaters that were owned and operated by the major American film companies. Outfitted with American technology and accoutrements, they allowed local audiences to watch American films in an American-owned cinema in a distinctly American way. In a history that stretches from Buenos Aires and Tokyo to…

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February 2022

TELEVISION AS DEMOCRATIC EXPERIENCE

Wednesday, February 2, 2022 @ 12:00 pm - 2:00 pm
TELEVISION AS DEMOCRATIC EXPERIENCE

A lecture by Dr. Sandra Laugier , Professor of Philosophy at Université Paris 1 Panthéon Sorbonne and senior member of Institut Universitaire de France. Hosted by Dr. James McNamara (PhD, Oxford, 2011). Dr. McNamara is a screenwriter and a Lecturer in Film and Media Studies at UC Santa Barbara. McNamara’s creative practice, teaching, and research focus on adaptation studies, with a particular interest in screen adaptations of Shakespeare. Co-Sponsored by the Film & Media Studies Department, the Carsey-Wolf Center, and…

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March 2022

Tinghao Zhou is involved in the production of a new short film entitled Hair Tie, Egg, Homework Books (Tou sheng, ji dan, zuo ye ben)

Saturday, March 5, 2022 @ 2:20 pm - 5:00 pm
Hair Tie Egg

Tinghao Zhou is involved in the production of a new short film entitled Hair Tie, Egg, Homework Books (Tou sheng, ji dan, zuo ye ben)  (Directed by Runxiao Luo, 15 min). The film was selected into the official Orizzonti program of last year's Venice International Film Festival and it's being included in the Women Taking Charge program at the Santa Barbara International Film Festival this year. The program will be screened on Saturday, March 5th at 2:20 pm. For a trailer related to the…

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Angels of Efficiency. A Media History of Consulting and Big Data – Florian Hoof, Leuphana University Lueneburg.

Wednesday, March 9, 2022 @ 3:30 pm - 5:00 pm
2135 SSMS Building, SSMS Building
Santa Barbara, CA 93106-4010 United States
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Angels of Efficiency

Corporate consulting, a one-time seemingly marvelous mixture of bare-knuckle rationalization, esoterica, and visionary futurism, is invariably deployed when business structures threaten to lose their equilibrium. What it actually means to be consulted, the part played by film and media in consulting, and how the branch of corporate consulting became a system of knowledge with such a socially important role is the object of this talk. It develops a new, interdisciplinary approach, situated between film, media and business history, media archeology,…

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April 2022

Magic lantern: seeing far, seeing self and other delights in Méliès’s Lanterne Magique, Hoffmann’s Rat Krespel and Offenbach’s Tales of Hoffmann – Gabriela Cruz, University of Michigan

Monday, April 4, 2022 @ 2:00 pm - 5:00 pm

The stupendous impact of magic lantern technology on the imaginative labors of the romantic generation has long been recognized in scholarship about seeing and gazing. Less understood, however, is the mobilization of the apparatus for re-imagining voice, singing and song during the 19th-century. This presentation takes its point of departure from an eccentric assemblage of scenes from silent film, narrative, song and opera, read in kaleidoscopic manner for traces of sound and for the sense of how the magic lantern…

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Love Technologies and its (Dis)Contents – Ania Malinowska, Centre for Critical Technology Studies, University of Silesia (Poland)

Wednesday, April 13, 2022 @ 3:30 pm - 5:00 pm
2135 SSMS Building, SSMS Building
Santa Barbara, CA 93106-4010 United States
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This talk outlines the conditions of loving in technoculture and explains the ways and manners of "practicing of togetherness" in high tech environments. It will show what technologies tell us about the way we love and critically rereads late modern paradigms of emotional and affective experiences, challenging the existing critical approaches to technological and technologized love. Ania Malinowska is an author, cultural theorist, and associate professor in media and cultural studies at the Faculty of Humanities, University of Silesia (Poland),…

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What We Are to Make of Creative Digital Youth – Josef Nguyen, The University of Texas at Dallas

Wednesday, April 20, 2022 @ 3:30 pm - 5:00 pm
What We Are to Make of Creative Digital Youth

This book talk explores how contemporary American culture constructs youth in the era of digital media as inextricable from creativity, which is the subject of The Digital Is Kid Stuff: Making Creative Laborers for a Precarious Economy (UMN Press, Dec 2021). Rather than taking creative digital youth as a natural fact, however, The Digital Is Kid Stuff shows how youth are instrumental to the creative economy not solely as the future labor force but also as cultural sites for negotiating…

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Be Natural: The Untold Story of Alice Guy-Blaché

Thursday, April 21, 2022 @ 7:00 pm - 9:00 pm

When Alice Guy-Blaché completed her first film in 1896, she was not only the first female filmmaker, but one of the first directors ever to make a narrative film. Be Natural: The Untold Story of Alice Guy-Blaché tells the largely forgotten story of her rise from Gaumont secretary to her appointment as head of production a year later, and her illustrious 20-year career in France and in the United States, as the founder of her own studio and as writer,…

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Page Views Live: A Conversation with Ross Melnick

Friday, April 22, 2022 @ 9:00 am - 10:00 am

Join Film Quarterly for "Page Views Live," its original webinar series showcasing the best in recent film and media studies publications. The series continues this spring with a conversation between Page Views editor Bruno Guaraná (Boston University) and Ross Melnick (University of California Santa Barbara) about his new book, Hollywood’s Embassies: How Movie Theaters Projected American Power Around the World (Columbia University Press, 2022). A truly global account, Hollywood’s Embassies offers a new understanding of Hollywood’s role in U.S. cultural…

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